Thursday, 26 May 2011
Photos courtesy of Sarah Laker
Tuesday, 24 May 2011
Monday, 16 May 2011
Sunday, 8 May 2011
17# 4 x 8 foot flats
1# 3 x 8 foot flat
7# 2 x 8 foot flats
1# 3 and 1/2 x 8 foot flat
1# 1 and 1/2 x 8 foot flat
3# 3 x 3 foot footers for the windows
3# 4 x 1 and 1/2 foot headers for the doors (only 2 doors, but one needed on each side of the door connecting the two rooms)
However, the headers for the doors are only being used to help hold the set together under construction. They will be replaced when the doors are built.
Monday, 18 April 2011
Sunday, 17 April 2011
Monday, 11 April 2011
This film was about a man who had killed a boy in a hit and run accident, but had repressed the memories of this. The guilt caused him to lose sleep and he began to hallucinate, creating people and events which never existed. Throughout the film he tries to find out what is going on and finally realises the truth at the end.
This is the most modern film we have watched, and I think one of the most effective.
This film contained elements from some of the other films, especially The Tennant. Until the very end of the film, the character’s delusions are shown to be fact, and it is only towards the end when these unravel that the viewer begins to doubt his version of reality and it is revealed that he has actually been repressing memories. For example, at the beginning of the film he was shown to be disposing of a body, but at the end it is shown that this body did not actually exist. However I feel that this film used this distortion of reality to far greater effect than The Tennant. The main character’s delusions are presented as pure fact, and while the viewer may have suspicions that they are not seeing the complete truth, the reality of the situation is not revealed until the very end of the film. This creates and sustains suspense and intrigue throughout the entire film, holding the attention of the viewer.
The dingy settings, such as his flat and the factory where he works, create an unpleasant atmosphere which helps the viewer to empathise with the his state of mind.
It also has a large Freudian influence in the form of repression. Repression, according to Freud, is a defence mechanism enforced by the ego to protect the id from harm. The ego represses painful or damaging memories so that they are no longer consciously available. However this tends to have repercussions, as the memories are still there even if they are not available. The person may begin to act out in strange ways, and mental illnesses may even occur. In the case of this film, the main character cannot sleep and a combination of the repressed memories and sleep deprivation (well known for causing hallucinations) causes him to construct his own reality.
While most of this film revolved around the psychological state of the character, there were a few images designed to shock the viewer. The blood pouring out of the fridge and the man’s arm being cut off are examples of these. The man’s arm getting cut off was a good way of conveying the severity of the main character’s situation and state of mind.
I thought that this was a well made and effective film and is a brilliant example of a psychological thriller.
A psychological thriller based around a study in a haunted house, where the participants gradually get more and more frightened and involved with the story of the house.
I’ve seen the remake of this film and unfortunately, I feel it restricted my viewing as I was constantly comparing the two. In this respect, I found that the original film was more effective in terms of the subtlety of a psychological thriller, where I personally found the remake more interesting and easier to follow.
Where I say subtlety, what I mean is that there is the implication of something being there without actually showing it. In the case of the haunting this was done with noises, shadows, parts of the house which looked like faces and the doors closing on their own etc. All of these things lead the viewer, and indeed the characters, to believe that something untoward is happening within the house, without anything actually happening. These implications of something frightening cause the character to react and therefore cause events to unfold, such as Eleanor crashing her car. This really helps the story to progress which makes the film far more watchable. However the effect that I really liked was when the door began to move and looked almost like it was breathing. Despite the fact that this was much less subtle than the other effects, it looked really effective and allowed me to see why the characters were so scared. I was also surprised at how realistic this effect was, considering the age of the film (I’ve seen far worse effects in far more recent films).
I found the storyline a little lacking. There was no explanation for the reason behind the haunting of the house (a house being ‘born bad’ I don’t feel is really an explanation…). I can see the connections that can be drawn between Eleanor and the house, for example she cared for her mother as the daughter was cared for, and I can empathise with her not wanting to leave the house because she has nowhere to go. However I felt these connections were overplayed and detracted from the film.
The setting of the huge mansion is a good one for a psychological horror, full of empty rooms and corridors. The characters mentioned that nothing in the house was ‘normal’ (odd angles etc.) and this would have added a degree of discomfort and given it a more frightening atmosphere. However I could not really see these oddities!
The fact that they were stuck in the house with the gates locked, emphasised by the repetitive speech from the caretaker’s wife (“…in the night in the dark”), creates a feeling of claustrophobia. This seems to be a running theme in these films. The characters were then trapped inside a house, which would be creepy at the best of times, but also has a story behind it as well as all of the spooky goings on. They are also stuck with the same people, which creates friction and adds to the tension of the film.
It is a Finnish film about a man who is mugged and beaten, which causes him to forget who he is. He then has to build a new life, with the difficulty of not having a name, before eventually discovering who he is. It was released in 2002, which surprised me as I felt that it seemed rather dated.
I found the film quite difficult to follow. There was little dialogue which made it awkward to watch and I felt that not an awful lot actually happened! As for the awkwardness of little dialogue, I think this may have been a deliberate attempt to make the audience feel uncomfortable and maybe empathise with how difficult the character’s situation was.
The setting was pretty dismal, which showed the level of poverty, and conveyed the emotions of the main character well.
I’ve found it very difficult to review this film due to the lack of content, though this lack does contribute to the feeling of the film as it reflects the feelings of the character. Generally I found this film ineffective, difficult to watch and it didn’t really hold my attention, though I can see how some of the details add to the feeling of the film.